| Nascido | ca. 1708 (Exeter) |
| Falecido | 2 de fevereiro de 1776 (London) |
| Nacionalidade | Reino Unido |
| Épocas | Classicismo |
| Profissão | Maler, Illustrator, Bibliothekar |
| Discípulo | Lemuel Francis Abbott |
| Filiações | Royal Academy of Arts |
| Obras notáveis | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Museus | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland |
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| Nascido | ca. 1708 (Exeter) |
| Falecido | 2 de fevereiro de 1776 (London) |
| Nacionalidade | Reino Unido |
| Épocas | Classicismo |
| Profissão | Maler, Illustrator, Bibliothekar |
| Discípulo | Lemuel Francis Abbott |
| Filiações | Royal Academy of Arts |
| Obras notáveis | Messengers Before an Emperor, Battledore and Shuttlecock (1740), Flying the Kite (1740), A Study for "Seeing -- La Vue" (One of the Five Senses), Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband" |
| Museus | Yale Center for British Art, Art Institute of Chicago, National Gallery of Ireland |